Divine Sala


Divine Sala


The traditional Cambodian dancers attribute their talent to sculptures of spiritual performers in temples that date back 1,000 years, to a period when Cambodia was the core of the massive Angkorian Republic. In the realms, the dancers built-in stone appear performing for the gods. For decades, their celestial art has been connected to both religious faith and dictatorship. These traditional Cambodian dances have been packed with princesses and princes, female and male divinities, often evil giants, and often good-hearted monkeys. Women play the parts of princesses, kings, angels, goddesses, and also giants as boys go for monkey parts. While some plays are complicated dance stories of love and death and sorcery, others are called bits of “flat” art, designed to convey a sense of respect without a specific tale being told.

Soak yourself throughout the core of the heritage of Cambodia with such a special, internationally celebrated classical Khmer Ballet recognized as Apsara. You must explore this art through passion, thus helping these talented performers and artists from underprivileged backgrounds for their sustainable future.
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Divine Sala

source: magazinelatitudes

The Sacred-Dancers of Angkor recreates the wonderful Mahabarrata as well as Ramayana legends portrayed on just the bas-reliefs of the Angkor Wat, honoring the genuine Khmer Classical Ballet which is also inscribed at UNESCO. Both parts are filled by female performers, with professional dancers only playing the roles of Warrior Monkey. Angkor’s Sacred Dancers is Cambodia’s oldest divine dance troupe, raised and educated at the center of Angkor’s Khmer heritage as well as the cultural site. To see Sacred Dancers is paramount to those who want to discover Cambodia’s assets and the real Apsara’s stunning glory.

The noble heritage of ancient Khmer dance goes back to an era of Angkor when it was common with the monarchy over a thousand of years. Barefooted dancers dress in brightly patterned costumes. For conveying a tale just like a magician, they use long, highly stylized gestures and hand movements.


 Passion & Dedication of the Dancers

source: wiki media

With extensive regular training since 2007, they have managed to learn these subtle skills and mastered the flow and rhythm in complete synchronization, while learning the wide range of gestural language going on over 12 years. They are committed to protecting, promoting, and reinforcing the authenticity and splendor of the Khmer culture symbol.

Traditional dancers start training to spread out their joints from childhood. They perform movements like stretching their fingertips down and touch their shoulders, turning and arching the waistlines and maintaining the posture of the lotus for longer periods of time. The female performers’ costumes are identical to those of Thai dancers except some variations such as the lower back showing.

Apsara Dance is also a demonstration of how ancient references can be used to create new plays, promoting patriotism in this case. The Cambodian population’s origin story is performed in a simple Thai-influenced traditional style of dance of Cambodia, whereas the crowns or ornaments, borrowed from Angkor’s sculptures, relate to the glory of the mythical Khmer civilization. Perhaps the most common among the contemporary classical dance numbers in Cambodia currently is the Apsara dance.


Reasons Behind Forming the Institute

source: nkfc

The Nginn-Karet Foundation for Cambodia founded the first local music, dance, and art training school named the NKFC Conservatoire Preah-Ream Buppha-Devi in 2007. Their goal is to fight poverty and dependency by economic development through the introduction of programs that meet minimum needs.

Ravynn Karet-Coxen, the founding director of the Dance Institute, envisioned that a little theater in Cambodia will support the Sacred Performers of Angkor’s sustainability and safe livelihoods. Living and working 45 mins away from the state’s main tourism center in remote villages ensures the troupe’s engagement in the thriving tourist economy. Weekly shows must continue to present and connect the tourists to the Classical Ballet’s most genuine heritage which they actively keep on learning and practice in day-to-day rehearsal. To date, they have raised US$18,166 for the institute.

The Sacred Dancers convey the diversity of human feelings from the symbolic tongue of the Apsaras, studying and practicing 4,500 gestures filled with spiritual meaning. A large collection of 40 dances including 60 dance series reflect liberal values of beauty, reverence, and spirituality.

The outfits of the artist are now the Conservatoire’s exchange-mark. They recycle characters into monochrome. During the first time, ornamentation is not imported crowns but created by each performer of synthetic materials, so are the masks crafted in Mache paper and decorated with natural dyes with no maquillage applied.


The Nginn Karet Foundation

source: nkfc

The Nginn Karet Foundation (NKFC) is a community organization founded in 1994 to support 14 chosen villages that were just freed from Khmer Rouge, located on Angkor’s Heritage site. The goal of the Organization is to empower Cambodian village people with knowledge & tools to protect their necessities through a sustainable economy collaboration project. Within 1999, 2868 households were enabled to survive and flourish with integrity.


The Way NKFC Supports the Locals

source: nkfc

The Nginn-Karet Foundation is dedicated to helping poor people improve themselves while raising their standard of living and life expectancy. The limited NKFC workers are Cambodian, operating in a lower profile and in an efficient way. These people work at the grassroots level, as the programs are interconnected, completely overboard with villages. These NKFC workers are first covered with Indochina Compensation, and even with Asia Premiums. The Board members largely contribute sufficient international knowledge and experience. After intensive consulting with local councils at senior legislative as well as the state level, and with the residents themselves, all the programs are designed.


In conclusion, if you have a great passion for the arts then visit Cambodia to explore and appreciate the creative presentation of the stories carved on Angkor’s stone that comes to life by Divine Sala, this is indeed a way of promoting these UNESCO jewels whilst at the same time contributing to the cultural and local growth.

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Taufiq is an award-winning copywriter and digital marketing consultant. He is also a passionate traveler and freelancer, teaching financial independence and professional development through working freelance projects: www.freelancerhelpbangladesh.com

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